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Thursday July 25, 2024

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2024-07-25 18:30:00 2024-07-25 18:30:00 America/Edmonton Special Summer Event: Dirty Dancing/The Time of My Life Join us for a screening of the beloved cult classic Dirty Dancing, followed by a conversation with author Andrea Warner about her fantastic new Pop Classics title exploring the film and its enduring appeal. The conversation will be moderated by author and journalist Alexis Kienlen. About the film Baby (Jennifer Grey) is one listless summer away from the Peace Corps. Hoping to enjoy her youth while it lasts, she’s disappointed when her summer plans deposit her at a sleepy resort in the Catskills with her parents. Her luck turns around, however, when the resort’s dance instructor, Johnny (Patrick Swayze), enlists Baby as his new partner, and the two fall in love. Baby’s father forbids her from seeing Johnny, but she’s determined to help him perform the last big dance of the summer. About the book An engaging exploration into the enduring popularity of Dirty Dancing and its lasting themes of feminism, activism, and reproductive rights. When Dirty Dancing was released in 1987, it had already been rejected by producers and distributors several times over, and expectations for the summer romance were low. But then the film, written by former dancer Eleanor Bergstein and starring Jennifer Grey and Patrick Swayze as a couple from two different worlds, exploded. Since then, Dirty Dancing’s popularity has never waned. The truth has always been that Dirty Dancing was never just a teen romance or a dance movie — it also explored abortion rights, class, and political activism, with a smattering of light crime-solving. In The Time of My Life, celebrated music journalist Andrea Warner excavates the layers of Dirty Dancing, from its anachronistic, chart-topping soundtrack, to Baby and Johnny’s chemistry, to Bergstein’s political intentions, to the abortion subplot that is more relevant today than ever. The film’s remarkable longevity would never have been possible if it was just a throwaway summer fling story. It is precisely because of its themes — deeply feminist, sensitively written — that we, over 30 years later, are still holding our breath during that last, exhilarating lift. Metro Cinema LitFest Alberta info@litfestalberta.org
Feature Author

Special Summer Event: Dirty Dancing/The Time of My Life

Metro Cinema
8712 109 Street Edmonton, AB
    Author
    Moderator / Host
    Join us for a screening of the beloved cult classic Dirty Dancing, followed by a conversation with author Andrea Warner about her fantastic new Pop Classics title exploring the film and its enduring appeal. The conversation will be moderated by author and journalist Alexis Kienlen.

    About the film

    Baby (Jennifer Grey) is one listless summer away from the Peace Corps. Hoping to enjoy her youth while it lasts, she’s disappointed when her summer plans deposit her at a sleepy resort in the Catskills with her parents. Her luck turns around, however, when the resort’s dance instructor, Johnny (Patrick Swayze), enlists Baby as his new partner, and the two fall in love. Baby’s father forbids her from seeing Johnny, but she’s determined to help him perform the last big dance of the summer.

    About the book

    An engaging exploration into the enduring popularity of Dirty Dancing and its lasting themes of feminism, activism, and reproductive rights. When Dirty Dancing was released in 1987, it had already been rejected by producers and distributors several times over, and expectations for the summer romance were low. But then the film, written by former dancer Eleanor Bergstein and starring Jennifer Grey and Patrick Swayze as a couple from two different worlds, exploded. Since then, Dirty Dancing’s popularity has never waned. The truth has always been that Dirty Dancing was never just a teen romance or a dance movie — it also explored abortion rights, class, and political activism, with a smattering of light crime-solving. In The Time of My Life, celebrated music journalist Andrea Warner excavates the layers of Dirty Dancing, from its anachronistic, chart-topping soundtrack, to Baby and Johnny’s chemistry, to Bergstein’s political intentions, to the abortion subplot that is more relevant today than ever. The film’s remarkable longevity would never have been possible if it was just a throwaway summer fling story. It is precisely because of its themes — deeply feminist, sensitively written — that we, over 30 years later, are still holding our breath during that last, exhilarating lift.
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